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'Ghosting' is perhaps— or rather, most definitely my most favorite song from the 'Minisode 1 : Blue Hour' album. Never have I ever come across a song that spoke so much to me. I remember anticipating it eagerly from the little bit I heard in the Highlight Medley, perhaps even more than the title track of the album itself. I just knew this song would hit me in a way no other song from the album would.

But what I least expected was for it to, almost literally, hit my heart directly.

The premise of the song is not anything cliché like talking about a ghost, or becoming a ghost. Rather, it’s about a very palpable fear that all of us have come across our lives at least once— the fear of being forgotten, of being left behind, by your friend more than anyone else.

The fear of losing a friend.

If you haven’t ever felt this, I’m really glad. Because it isn’t a nice feeling in any way, even if you are the person who will always choose to look at the bright side of things. It isn’t nice to have to constantly wonder and wonder if someone will ever be a good friend to you; if you will ever be a good friend to someone. If you’re too much, or too little; too normal or too extravagant; similar or different; involved or distant. It takes a while to understand and realize that it is impossible to please everyone, to be a friend to everyone and expect everyone to be a good friend to you. It’s impossible, it’s unimaginable, yet it is a hope that all of us have in the corners of our hearts, a thirst that can never be quite quenched, a hunger that can never be satiated.

It is an even more painful thing when you realize that the person you once thought of as a friend now stands nowhere near you, but in a place and space so unreachable that the only way ahead is to give up on reaching out.

According to the group, the song is about the situation where your friend has ‘ghosted’ you— a term, I came to know later, that was used for when a friend suddenly drops any and all kinds of contact with someone, leaving them in the dark.

(I’m not that old, trust me. I know the concept, just not the term).

I still remember the first time I listened to it— with bated breath, standing at the rooftop, staring at the sunset and the darkening sky.

The first notes of the song sound more like a looming whisper, a whisper of realization that escapes unconsciously. The song follows the wistfulness of those first notes. It almost feels like self-talk— the dreamy, slightly muffled tune, masking over like a thin veil; the lyrics that sound reminiscent of a time that is no more.

‘Ghosting’ is the story of one wondering out loud; wondering what happened.

Don’t we ask that a lot? What happened? What happened to this; to that; to them?

What happened to us?

A repeated question in life. A repeated question to oneself.

What happened to me?

The passing of time, the growth over it, the changes that occur.

Yet, nothing can quite answer a ‘what happened?’ properly, and especially not when the question itself is not defined. And the acute awareness of it brings a sense of numbness to everything around— the world greys for a while, everything dulls down.

This particular musing is what I feel like this song brings about. Not really expecting an answer, but helplessly asking the question anyway, just to let it out. Just to see it float in the air, away and afar. It’s further confirmed with the lines:

‘메아리만 멤도는 방에
In a room where only echoes linger

나 혼자서만 떠돌아 내내
I run in circles by myself

난 유령처럼
Like a ghost’

These particular lines punctuate the chorus as well, reinforcing the image of self-musing, at the point where one would have given up finding the answer, unbelievably tired and just wanting some reason for why it happened.

But what happened?

The lines after this answer it in succession.

Talking about unread messages when it used to be rapid conversations, a dialogue that turns into a monologue over time, which soon grows into radio silence— without a reason. There is nothing more painful than waking up one day and realizing that the person you thought was close to you is now no less than a stranger. And what hurts even more is seeing the change in them— they are familiar, but you are a stranger to them. Divided by miles and miles of differences, of changes, of something intangible, but very, very powerful and painful. The division brings a strange sort of nervousness, 

And there is an effort made, there are efforts made and questions asked endlessly to know what happened to result in this change, but there is only so much effort one can put in to seek answer for a question when it seemingly does not exist. The first lines of the chorus explain this very feeling with its lyrics:

한순간 사라진 너 사-사라진,
You disappeared in one moment,

희미한 유령처럼 사-사라진,
You disappeared like a transluscent ghost,

허공에 묻곤 해, ‘난 너한테 뭐길레?’
I’m asking the empty air, ‘what am I to you?’

A blank question thrown in the air, with nothing to catch it. The nervous feeling of taking the next step when there is no ground beneath, or no one beside.

The song further progresses into the sense of loneliness that spreads in the mind, but exhaustion creeps in— tired. There is a point where everyone gets tired of trying, of putting in effort for something that is very much futile. Yet, the disbelief still lingers— ‘How did it happen? How did we separate; become strangers when we used to be the closest ever? I know I cannot do anything, but I still wonder: why?’

The bridge part manages to express this exact feeling, with its wistful tone and the first lines that convey a reserved dejection like no other.

사실 나도 알아, ‘대답없음’ 그게 대답인걸
To be honest I know it too, (that) ‘No Answer’ is the answer,

(익숙해지지 않아, 혼자가 되버린게)

(I cannot get used to it, that I am left alone)

However, the lines following these tells of holding onto a sliver of hope, even when everything is falling apart:

사진 속에 우리차람 어서 다시 돌아가야만해
Like the ‘us’ in the picture, we should go back again quickly

And the final line of the bridge, two words that revolve in the mind and in the heart even as the song reaches its end:

난 아직 여기 있는데 (난 아직 여기 있는데, 난 아직 여기 있는데)
I’m still here, though (I’m still here, though, I’m still here, though)

These lines, in my opinion, truly expresses the raw feeling of being left behind and being acutely aware of it. This is perhaps one of the parts that stand out the most through the song.

The vocals, too, compliment the content of the lyrics in the best way possible. The almost mist-y and muted vocals of the members create a haze-like feeling. I personally found a very specific scenario for it: late night, right outside a club, standing and staring at the sky instead of being inside and partying like everyone else, and simply waiting for something to wash over. The instrumental, too, supplements the feeling, giving an almost 90s vibe to the song. 

In conclusion, ‘Ghosting’, as a song, is that feeling of endless waiting, of wanting something to end, but not even knowing what it is. It’s the nostalgia that washes over when you look through your mobile and find an old text message, or a picture of someone who you remembered fondly, but cannot find a reason as to why they were just a memory, and not with you right now. There are no complicated words used for the lyrics, but the way the words weave together to create a lingering feeling of doubt and regret , along with a calm resignation that gives a sense of ‘life goes on’, is perhaps, in my opinion, what makes this song stand out so much for me.


(if you read this long, thanks!)
 

untypicalthinker: (553pixel)
Magic Island.

The story of a promise, a magic island, and dwindling hope.

A song which feels exactly like entering a magic island. Crossing the grey and dull city, crossing a familiarity that is slowly becoming a stranger and reaching an unfamiliar but comforting island. A place which can only possibly to exist in dreams, in the wildest, most ideal dreams of some soul hoping for a day of contentment. A day which leaves one with only a warm smile and nothing else.

Magic Island: a song that wraps around you completely, in an embrace that practically lulls you to sleep. An embrace that understands you and accepts you for who you are. An embrace that reminds you kindly to breathe.

But, it’s also a promise kept after it was forgotten within the tides of time, a promise long overdue. A place that is unknown, and will remain unknown. A secret haven, a warmth that does not want to be shared.

It is also a song of reminiscence: a song that was shared between the best of friends, now forgotten and lost within the time they spent apart, coming back to memory in bits and pieces. A new vow, a new promise: to never forget. To never leave each other.

Alas, this is a dream-like place. Too good to be true. It is with this awareness under the mask of a pleasant feeling that the song progresses.

It might sound happy, giddy even, but the lyrics hide a dwindling hope. Like the waning moon, the place is also temporary. Beautiful at first, but gone the next second. A bubble ready to burst any time, a fantasy breaking down to show the crude reality.

The smile that the island brings is genuine, but slowly becomes a forced one. It's the last bits of hope, to hang on to something and be in this magic-like place.

It's a memory that will dissipate once you close your eyes. A vivid time, dulling down to nothing.

The song continues, inching towards the end. A hope to not sleep, to not faint and forget this place again clings onto the heart. Alas...

Alas, the place is just that. A Magic Island. Just like how magic is temporary and fleeting, this one has to go too.

As a tiredness creeps up the edges of the vision, there is only one wish made: to not forget their start line, the star light, that night and this place.

With a longing that will linger in the heart even after this memory is forgotten, even after the magic breaks, darkness pulls in.
There is a warm smile at the end of the day, but at what cost?

The song is a happiness that slowly turns into a mute fear, into a desperation to hold on; to not forget. A promise made so long ago, bound to be forgotten, but there is a hope: a sliver of it, but hope it is. A happiness so fleeting that it gives joy at first, and only develops into a fear that feels like a deja vu.

It starts with the mention of crossing a familiar city that now feels unfamiliar, of a question of ‘did you wait alone for me?’ and of a clumsy promise that started a secret. Little kids make promises all the time, but they also break it as they grow up. This one, however, crosses the time of growth and stands strong, tying them all together.

The second verse, however, crawls into a doubtfulness that can only come to people who have always been suspicious of happiness; who believe that some things are too good to be true, not just in the words. The line “결국 물거품이 될까?” can be better translated as ‘Will everything be in vain?’, but a transliteration would be ‘Will everything become a bubble?’, which tell us how fragile it is, this magic island, and this promise of theirs. The verse progress to the lines “꿈도 다 추억이 될까? 표류가 되버린 이 항해", roughly translated as ‘Will all the dreams become memories too? This sail which has gone adrift'. Something about these lines have the power to put you through a trance of thoughts (at least for me it does). This is one reason why it is my favorite verse out of the whole song, but it's not the only one. The vocals, of course, play a considerable part; it is what makes the song calming, after all. They aren't loud, but they aren't fading away in the background either. The instrumentals and the vocals almost merge together, creating a beautiful harmony. It gives the song the feeling of hope; a hope that is slowly slipping away, but hope nonetheless.

The song holds dreams, hopes and promises, but also watches as it all turns into a grey nothing. A dull throb, left unseen and forgotten. A sheer desperation to hold on to at least some of the magic.

It plays well into the story of TXT universe as well: the universe begins with ‘Nap Of A Star', the most innocent of hopes that a kid would hold on to. The wish to just be someone's small sleep, a dream within it, just to make them feel safe. Magic Island, like Nap Of A Star, succeeds in extending the feeling of innocent hope, but it also shows growth. If Nap Of A Star were a kid at the verge of being a teenager, Magic Island is the part of life where the teenager misses childhood. It’s looking back with a bitter smile, it's holding onto an invisible hand that is all but fading away, but also knowing that it will fully disappear eventually; that one day, the teenager will have to look back at one’s childhood and only smile, knowing he can never get it back, but the little voice in the heart keeps wanting to.

This is Magic Island, and this is the story of hope shifting and melding into an inevitable fear: of growing up. Of losing, of loving and losing and never being able to get it back. Of memories that fade into a shade of vignette, never able to shine like it did before, but coloured with a pleasant nostalgia that makes one smile regardless

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unna

untypicalthinker

unna | 23 | she/her
i think a lot. mostly unorganized, mostly songs and definitely personal.

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